above is our group exhibition review which i did with pamela.
Tuesday, 17 March 2009
Monday, 16 March 2009

The 2 images here are from our recent show, Then and Now". I exhibited with Alex, who is an illustrator. Inside the Lodge, we showed our 2D work. Alex had her life drawings and illustrations and I hung paintings and my photos of the woods taken over this Autumn and Winter.
I had a site specific installation on the porch for the private view(above right). I wanted to recreate a scene on a postcard from c1910 of the Lodge, and so I made life size figures from MDF and printed poplin and composed them on the porch.Encouter with an Artwork (3)
On Sunday March 8th I returned to the Tate to view Epstien`s "Jacob and the Angel" for the third time.
On my last visit, I explored the different experiences of approaching the work via the stairs from the Manton entrance versus coming in from the ground floor.On this visit I looked at the work in the context of the paintings in the adjoining rooms.
Coming to the sculpture from the ground floor where "Altermodern" is presented, in the room to the left are paintings by William Blake(1752-1827) and Cecil Collins(1908-1989). Both were known as visionary artists. Angels are represented in many of the works of both artists in this room. "Good and Evil Angels" is a very powerful image of Blake`s, as is "Angel and Flowing Light" by Collins. The Angel appears to be a very potent symbol to all three artists, and I think the grouping of their work together adds strenght to all their expressions.
On the stairway coming up from the Manton entrancethere hangs a huge canvas(oil) by Frank Bowling(b. 1938) titled "Mirror", 1936. It shows a gold spiral staircase with a man descending(ascending?) and a blurred figure coming up from the bottom. The palettte is bright- oranges,reds, lime green, gold, violet and indigo.Standing infront of Epstein`s sculpture, the painting is in the background. It has a religious feel, and I believe the two work well together.
On my last visit, I explored the different experiences of approaching the work via the stairs from the Manton entrance versus coming in from the ground floor.On this visit I looked at the work in the context of the paintings in the adjoining rooms.
Coming to the sculpture from the ground floor where "Altermodern" is presented, in the room to the left are paintings by William Blake(1752-1827) and Cecil Collins(1908-1989). Both were known as visionary artists. Angels are represented in many of the works of both artists in this room. "Good and Evil Angels" is a very powerful image of Blake`s, as is "Angel and Flowing Light" by Collins. The Angel appears to be a very potent symbol to all three artists, and I think the grouping of their work together adds strenght to all their expressions.
On the stairway coming up from the Manton entrancethere hangs a huge canvas(oil) by Frank Bowling(b. 1938) titled "Mirror", 1936. It shows a gold spiral staircase with a man descending(ascending?) and a blurred figure coming up from the bottom. The palettte is bright- oranges,reds, lime green, gold, violet and indigo.Standing infront of Epstein`s sculpture, the painting is in the background. It has a religious feel, and I believe the two work well together.
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